Technical Riders
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Buttabing! Buttaboom! Buttafly! Technical Data
TECHNICAL RIDER - “Buttabing! Buttaboom! Buttafly!”
1) PLAYING AREA
MINIMUM stage area 5 metres x 5 metres
Overhead clearance minimum of 5 metres
Artist requires an EVEN, FLAT surface. PLEASE NO GRASS IF POSSIBLE. NO LOOSE GRAVEL OR STONES. The Presenter may be required to provide a surface – performance area must be smooth and flat for the pole rig to function safely.
IF USING A PODIUM OR STAGE STAIRS AND CLEAR ACCESS TO THE AUDIENCE MUST BE PROVIDED.
2) SOUND EQUIPMENT
Artist provides a wireless microphone, CD and/or i pod.
PLEASE PROVIDE AMPLIFICATION, CD PLAYBACK, CABLE FOR MICROPHONE (QUARTER INCH OR XLR), CABLE FOR I POD (MINI TO STEREO) & SOUND OPERATOR.
3) INSTALLATION/ STRIKING
Artist will install all personal props and equipment. Artist can strike own equipment after performance. FOR STAGE PERFORMANCES THE PRESENTER ORGANISES STAGEHANDS TO PRE-SET & STRIKE EQUIPMENT.
Installation time approximately 20 minutes
Striking time approximately 20 minutes
4) SHOW COPYRIGHT
Show concept, creation, script and performance by ABIGAIL COLLINS. Music by various artists.
5) INCLEMENT WEATHER
In the event of rain, high wind or extreme heat (+35 degrees) the artist agrees to perform as much of the show as is reasonably and safely possible. The presenter understands that this may be a greatly reduced appearance and that in the event of perceived harm to either artist or audience the performance will be stopped.
7) DRESSING ROOM
Please provide a dressing room with bathroom facilities close to performance location. Please provide minimum of 1 litre flat water per performance.
Une Femme Exposée Technical Data
TECHNICAL RIDER - “Une Femme Exposée”
1) PLAYING AREA
MINIMUM stage area 5 metres x 5 metres
Overhead clearance minimum of 4 metres
IF USING A PODIUM OR STAGE STAIRS AND CLEAR ACCESS TO THE AUDIENCE MUST BE PROVIDED.
2) SOUND EQUIPMENT
Artist provides a wireless microphone.
PLEASE PROVIDE AMPLIFICATION, CD PLAYBACK & SOUND OPERATOR.
3) INSTALLATION/ STRIKING
Artist will install all personal props and equipment. Artist can strike own equipment after performance. FOR STAGE PERFORMANCES THE PRESENTER ORGANISES STAGEHANDS TO STRIKE EQUIPMENT.
4) MUSIC COPYRIGHT
Classical music from ‘Swan Lake’ and ‘The Nutcracker’, Tchaikovsky
Karaoke version of ‘My Way’, Fred Brott/ Paul Anka
‘Wild Dances’, Ruslana Lyzhicko
‘Soviet National Anthem’, Red Army Choir
‘Europa’, ‘Politika’, The Ukrainians
5) INCLEMENT WEATHER
In the event of rain, high wind or extreme heat (+35 degrees) the artist agrees to perform as much of the show as is reasonably and safely possible. The presenter understands that this may be a greatly reduced appearance and that in the event of perceived harm to either artist or audience the performance will be stopped.
WHERE POSSIBLE PLEASE RESCHEDULE THE PERFORMANCE.y text here ...
Fire On The Nile Technical Data
TECHNICAL RIDER – "Fire On The Nile"
1) PLAYING AREA
Minimum stage area 5 metres x 5 metres
Overhead clearance minimum of 4 metres
IF USING A PODIUM OR STAGE - STAIRS AND CLEAR ACCESS TO THE AUDIENCE
MUST BE PROVIDED.
2) SOUND EQUIPMENT
Artist provides wireless microphone.
WHERE POSSIBLE PLEASE PROVIDE AMPLIFICATION, CD PLAYBACK & SOUND
OPERATOR. IN THE CASE OF LARGE EVENTS (200+PERSONS IN AUDIENCE) THE
PRESENTER MUST PROVIDE THIS EQUIPMENT.
IF THE PRESENTER REQUIRES THE ARTIST TO PROVIDE HER OWN AMPLIFICATION
SHE MUST BE INFORMED IN ADVANCE.
3) LIGHTING
Where applicable: General wash, follow spot if available for opening
hula hoop routine. IF PERFORMING IN A THEATRE HOUSELIGHTS TO BE BOUGHT
UP AS NECESSARY.
4) INSTALLATION/ STRIKING
Artist will install all personal props and equipment. Artist can
strike own equipment after performance on street. FOR STAGE
PERFORMANCES THE PRESENTER ORGANISES STAGEHANDS TO STRIKE EQUIPMENT.
5) INCLEMENT WEATHER
In the event of rain, high wind or extreme heat (+35 degrees) the
artist agrees to perform as much of the show as is reasonably and
safely possible. The presenter understands that this may be a greatly
reduced appearance and that in the event of perceived harm to either
artist or audience the performance will be stopped.
WHERE POSSIBLE PLEASE RESCHEDULE THE PERFORMANCE
